JIVA GYPSY USA

PROPOSAL USA
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YOUTH CULTURE for GOLDEN AGE around the 5 Root Races
YOUTH = YOUTH OBSERVING UNITY THROUGHOUT HUMANITY

5 Root Races of America's Youth
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1. White = HARD ROCK (London to US to world) => JIVA GYPSY

2. Black = HOUSE OF BLUES (African American) => JIVA GYPSY

3.Red = Native American to Trance Tribal JIVA CLUB - trance-it 4 the soul = tech tribal trance fusion

4. Yellow = ASIA POP (Singapore Asean China)

5. Brown = India JIVA5 MUKTI CAFE & OM CONNECTION SHOP
(India central of the 5 around Shamanistic Advaita Siva Tribal Vedanta Philosophy)

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JIVA GYPSY - In the context of Asia Pop Art as a similar concept in America (fusion of House of Blues message & ASIA POP art using a collage of the 5 root races)

Where; Pop = Popularised music & Jiva = jive or jazz in the west and, soul in the sanskrit language of the east. Gypsy show connection to Rajastan to Flamenco & Voodoo

Therefore, like the Voodoo art that was the visual representation for Blues music in the House of Blues, so too, JIVA GYPSIES is proposed as the same art form for tribal cultural jazz; drawing on the 5 root races as found in American culture (land of dreams - migrants)

JIVA GYPSY; rather than just using the images of Asean as in ASIA POP; has colages using all the 5 root race cultures and symbols. The art is a reflection of the world fusion tribal trance music of Jiva focussing around the chants, mantric science & swaras of Siva vedanta

Music = tribal fusion of world music focussing around Indian Sufi Flamenco Jazz of guitar, violin, tabala, Indian instruments, digeree doo, etc... with trance DJ and mantric overlay tevaram, raga and tala with swaras or other tribal chants

As in Asia Pop, the collages can be printed onto everything from shirts to tables etc... and can be sold as independent art colage pieces or paintings

It could also become part of a franchise cafe selling the Jiva 5 menu model and teh jive juice abuse concept. With the music aspect it could also become part of a POP JIVA club cafe chain as in the Hard Rock or House of Blues. This would also incorporate a virtual reality and visual harmonic technology.

5 ASPECTS

Jiva's metaphysical identity around the 5 root races/cultures of the youth as represetned in America:- 1. White - Hard Rock cafe 2. Black - House of Blues 3. Yellow - Asia Pop Colage Art Singapore 4. Brown - Jiva5 Mukti Cafe & OM Connection Shop (around Vedanta) 5. Red - Native American - Jiva Tribal Tance Club & Memorabilia Trance-it for the soul - Muse-it for Mystic and eat-it for thought =Jiva club idea

Thus, start with a POP JIVA cafe, gallery, shop and art work in America to generate profits for Jiva Model and Metaphyscial School India

Ultimately, it is all part of swamis mission of introducing the One Unifying Metaphysical Religion of Identity to unify humanity around his human value through the 5 root races

There is Only ONe religion, The religion of Love
There is only One race, the race of Humanity
There is only One language, the language of the Heart
There is only one God, and He is Omnipresent

ASSUMPTIONS ON HISTORY

Our assumption that the source of civilisation is from Bharat or India as the source of the Incarnations for the maintenance of Dharma. The Vedas came from the rishis and the Himalayas and the descent of the Godhead is always Vishnu in this satwic aspect and pertains to the indus civilisation of Rajastan region, whilst the south is more related to the Tantra & Voodoo Shamanism. So perhaps when the land masses were one, Lemurian was the original civilisation of the modern Kalpa and Aboriginals represent the remanants of these people. They are also the original gypsies who were right brained and less into the time strucutres of society. Dravidians of the south India are also related distantly to them perhaps. When the land mass shifted they remained in the south of India with their nature worship but also travelled upto the north in a walk about gypsy genetic manner and intermingled with the Vedic culture which was brought back down to the south but also across to Mespotania. Thus, the Bauls and other "Jiva gypsies" are a mixture out of India that travelled across to Mesopotaina and Eygpt/Africa spreading their nomadic tribal tantric Vedic Kali fusion culture across to as far as Spain (more deity worship but modified with Christianity) whereas the influences down to Africa were not so adulterated and maintained more of the shamanistic influences from the tantra of the south of India with less focus on deification.

NOT JUST ABOUT HISTORY but IDENTITY

through CULTURE and CREATIVITY of the arts (music & entertainment)

Anyway, whether you take the 100th monkey syndrome as a natural phenomena on the collective consciousness, the quasi psychological religious universality of archetypes, genetic theories of migration, the anthropological archeological evidences of science, the authority of scriptures and ages, the channelings of mediums and new age theories from Edgar Cayce to lesser ones..or, to the authoritiy of scholars and historians to the religious beilefs in re-incarnation and the transmigration of the soul......the whole thing is speculative.

But there is a sociological observation and appreciation that creativity and culture lends itself to a temperament that is fringe society and expressive of the perfections of civilisations and culture... nomadic, gypsy, bohemian, naturalists, shamanic, renunciants, wanderers etc.. they all represent the mood that cultivates a freedom of expression that due to prosperity supports and creates culture.

FRINGE vs MAIN STREAM SOCIETY

Siva (south to east India) vs Vishnu (north to west)
Tao & Lao Tsze vs Confuscus
Socrates vs Plato
Unorthodox vs orthodox
Gypsy (nomadaic nature lovers) vs Scientific (society structure civilisation)

Mu Dravidian (India & Australian Aboriginals) => gypsies to Eygpt/Persia/Spain/Ireland

vs

Atlantean (Eygpt fusion via mesopotania & Greek& West British/German)


This "fringe freedom" concept can be presented as a concept in the modern era where globalisation and transportation has made migration universal in an effectively flat world and the question of freedom of expression is in a universality and equality of expression.....

This is the stance taken for JIVA GYPSY and is not one of fact but postulaltion, using the various speculative theories about everything form 100th monkey syndrome in evolution to transmigratory history via india to help youth of each root race and culture discover their history and reveal their own genius in their search for identity and feel their unity within a diversified world

This context of identity and expression as the rebellious gypsy temprement and, today called bohemian and innovative.... is about finding the right place for youth to express their identity and kama (or desire), for artha (wealth of the world) through dharma (right means) and be in moksha... (confident, satisfied, open and established).

In this sense, more and more people are becoming gypsies via technological transport and innovation as knowledge is marrying the vaishnavite temperaments (safe) with the Saivite temperaments (adventurous) and people are finding their unique niche in a multi-polar, multi-cultural, multi eco-polital cosmopolitan world and knowledge based economy where free enterprise, innovative knowledge and creativity is Power.

You live and act (modern caste your dharma = profession) wherever your temperament of desire or kama can share todays artha or wealth of knowledge in the dharma of this universality in order through this oneness of love and satisfaction lead to the sacrifice and realisation that is the real Moksha..

In the modern myraid world with different economic paradigms sustaining growth and prosperity; music, arts and culture can also become myriad and fused as a vehicle to transcend differences as was effected by the trance tribal experiences of ancient communities; the religious experiencnes of the modern era with the drug, alcohol sedative options to modern day entertainment coming together through mass media

This has been the purpose of the House of Blues on black culture in America and to help blacks find their identity and communion through its fusion of blues music with its tribal heritage of Voodoo art and therefore, have to confidence to find their niche in America and, now a black man has been made president in the democratic idealism of freedom and equality in 5 root raced america.

As was seen by the technological use of the internet in the american elections,
the youth are no longer interested in fractions but in unity in diversity based on character (identity) in this oneness of consciousness; (vlues of Love, Truth, Peace, Right Action & Non-violence)

So Jiva Gypsies aims to expand on the House of Blues idea by introducing all 5 root races to express this idealism which is found in America. By using world tribal trance music related to cultural heritage of man, it hopes to help the process of identity and communion within a race (such as HOB for blacks) and allow them through this to find an EXPANDED COMMUNION IN THE CULTURAL HERITAGE OF HUMANITY (identity/unity in diversity).

In effect, the foundation has already been the effect of Hard Rock Cafe which has become a universally loved franchise on the basis of the universal appreciation for its music such as Jimi Hendrix and Led Zeplin who had elements of voodoo in their music.

Jiva Gypsy could would focus more around the sacred geometry in music that originates from the Vedic understanding of sound and nature (prakriti) via the Sanskrit language, yogic resonance of the body through the chakra petals and the 7 swaras with the 64 divisions of sound as well as the rules & disciplines of tala, raga and rasa with mantra and tevaram. It would marry this to the more improvised versions of world tribal music and sounds to create a particular genre of world cultural spiritualised indian jazz fusion music with a colage of tribal trance art forms.

Later classical components of the western music rules could be introduced with the Indian structure of music to fuse the music more fundamentally into variations of the jazz format. Both eastern vedic and western classical (in the light of renaissance art) could carefully combine with their more related free tribal expressions. Later the art forms can therefore also extend from tribal manifestations to more technological computer generated ones using choreographed visual harmonics programming.

By the Indian music as the core genre, JIVA does propose that all culture stems originally form the Vedas and India and migrated to the rest of the world via the migration to or from it. It suggests this through the tantric mother worship of gypsies and the bauls and their historic migratory patterns that this type of music has its original source there. Jiva Gypsies is resurrecting this Trance Tribal Voodoo music into a more contemporary world jazz and, is a natural progression from the House of Blues in America and, at a time when parallel modern gypsy international migrations are happening everywhere and, when there is the re-existence and resurrgence of Avatars and the Vedas in India again; spreading the Yogic philosophy everywhere around the globe through the migrations of Indians again

Thus, it can become a venue for Indian youth who have evolved through TRAC and SAI and want to experience a more natural high through the synthesis of cultures via JIVA entertainment

This, like HOB, it will also educate Americans and add India to their cultural heritage and through their media to the rest of the world but in the unified heritage around all root races

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PHILOSOPHY of HISTORY of ROOT RACES TO METAPHYSICS RELIGION OF IDENTITY

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BY KNOWING YOUR ("GYPSY") PAST YOU CAN IDENTIFY, FIND YOUR GENETIC GENIUS AND PROPEL YOUR FUTURE TO EXPERIENCE UNITY IN DIVERSITY

IDENTITY = CONFIDENCE or infinite potentiality = JIVA = SOUL= Devotion to the ONE SELF

Self confidence leads to Self satisfaction leads to Self sacrifice leads to Self realisation
This comes through expanding the identification form the most superficial of (root) race and colour to the most fundamental to do with love, our humanity and the heart in consciousness

End of education = Character = Confidence = Individuality of Soul = Jiva
End of CULTURE = perfection
End of knowledge = Love = Unity in diversity.... metaphysical religion of identity
End of wisdom = FREEDOM or MUKTI (cafe)

EXAMPLE TRAC PROGRAM APPLIED FOR AFRICAN AMERICANS (historical connection of India to Africa and again through TRAC & Uncle Jega's work)

BLACK ROOT RACE AFRICA HISTORY THROUGH THE HOUSE OF BLUES USA TRACED TO INDIA - JIVA GYPSIES to help them find their history, rights, identity and culture

House of Blues = Blacks, slavery, Africa using music, arts, culture and movement or dance => Voodoo art to Blues music

African Identity = African genius in music and entertainment = culture

America and the 5 root races ... economic crisis ... Obama 1st black president.... HOB .... slavery, suffering and rebellion and blues music out of it from lost identity & soul....Gypsies connected to HOUSE OF BLUES via Memphis and slave trade

INDIA and JIVA via Rajastan to Kali tantric worship to Baul Gypsies to Voodoo art and Africa

India Vedas Music & Bharatanatian Dance => Travelling Rajastan Gypsies => E(GYPT) (gypsies) => Persia Mesopotania =>

1. => African Voodoo Art => Cuba & Memphis USA => HOB => POP GYPSIES via the 5 root races of America (brown => black => espanic/white => yellow Asia Pop => red natives - tribal trance fusion of Jiva

2. => Europe Spain and Flamenco dancing
= Jiva Gypsies (fusion indian sufi flamenco blues jazz)

GYPSIES = WORSHIP THE BLACK MOTHER KALI AS THE PERSONIFICATION OF MOTHER NATURE

Hinduism = Sanata Dharma = VEDAS (Vishnu Satwa) to TANTRAS (Siva Tamas)

=> Bharatanatiam FLAMENCO (Sarah-sakti) TO VOODOO (nature shamanistic)

Voodoo Jiva identity who you really are => devotion to One Self = bhakti shakti to black mother Kali tribal worship ...to shamanism and the elements (Homas)

1. AFRICA

VOODOO NATURE WORSHIP (Vedic Yagna to Homa to Pujas) as from India Rajastan Kali / Saivaite TANTRIC cult from south migrating up to mingle with north Himalayan Indus Civilisation Vaishanivite VEDIC cultures => Bauls of Bengal, Saivitve renunciants & Rajastani Gypsies..?

Bauls - viashnaites "gypsy" travellers... mespotania.. egypt.... africa .. vooddooo...

Voodoo Africa (elemental worship/animalism of western philosophy white supremacy designation and justification for slavery) vs the nature/deification worship from Tantra (10 mother goddess vidyas of India) to

Lemuria ABoriginals => sivites/kali worship => Siva and Bauls - viashnaites "gypsy" travellers - chitra/sitar/one string... mespotania.. egypt slaves (not the royalty - perhasp Atlantis influence).... africa .. vooddooo... blues diddley bo??

Africa & backward..? Voodoo from where..? India...via Mespotania (cultural craddle of whites, browns and blacks)

now blacks back in America ... blues and Bo diddley (the musician)... sqaure one string guitar ( a didly..?) from Africa ..... does the voddoo art and this instrumen (HOB in America) originally come from gypsies of India as they passed through Mesopotania ... via EyGYPt - gypsies

2. EUROPE (Spain & Celts) white root race

Gypsies = Spanish Flamenco to Indian Rajastan Nomad Gypsies - Barter Beggars!

History of Rajastan gypsy culture migrating to spain with similarities of Flamenco music, bulls, black Sarah, Friggin music, guitar.... to Bharatantiam dance mudras and steps, to Siva Bull, to kali to Bharaiva Sound tala & raga frequencies, ratiosn and proportions, Chitra (Nakshatra of Libra equinox and music), to Sitar

Barter beggars = music, enetertainment & fortune telling for food = payment

Bohmemian, creative, arts culture = spirit of the gypsies

Black madonna to Susan worship by gypsies in Spain (flamenco-espanics)

3. TRIBAL SHAMANISM

Hard Rock (Jimi Hendrix Voodoo child) mix of Native American & Black & Gypsy culture

to House of Blues (African American history) with voodoo art from the heart

to American red indians as genetic mix...of atlantean red race and migration of yellow race?

to Eygptian, Mayan, Malaysian, Indonesian, Polyneasian

TRAC for Shamanism & native Americans similar to Africans

TRAC to Gypsy => Metaphysical Cafe

4. CHINA (Yellow Root Race) => JIVA5 same concept CHI-VA5 using Chinese correlations and metaphysics rather than Vedic ...

Same metaphysical correlation can be applied to European Chistianity via Hebrew ... to rennaissance

Jiva5 => Diva (Dionysus) 5 cafe

5. INDIA (Brown Root Race) JIVA5 MUKTI CAFE - fusion with JIVA GYPSIES & Metaphysical school

Gypsies vs (Science => Greek Pythagorus Mystery Schools => Metaphysics => Scientific age and the west => Theosophical Society by Blavatsky to Bailey => Mystic Inn of 7th ray)

HOB vs Metaphysics School (Isaac Tigrett & Sai)

US POP JIVA Gypsies vs Jiva5 Metaphysics INDIA

=> Jiva5, Chiva5 & Diva5 Metaphsical variations on cafe => Metaphysical school

MUSIC & ART of GYPSIES (mix of 5 root races) with 5 faced colage art drawing on cultures

POP JIVA GYPSIES = fusion trance tribal music focussing on gypsies of saivaitism/tevaram/raga/tala/swara to sufi(persian), flamenco(espanic), blues & soul (black) fusion .. with native american and tibetan influences

Pop Jiva Gypsies should have a lacquered black and white and gray image of the past colaged in the fusion gypsy 5 race theme with Indian Mesopotania (Euro-African of flamenco and blues) music with teh dance trance tribal dance to complimetn the indian jazz .... later to be called Jiva Gypsies and Jive Jazz and Gypsies Jive ....

From colage art to tribal wear to Jiva designs to Mandalas to Visual Harmonics Art

Themes for the JIVA concept to transition into (corresponding mythology behind cultures)

Cultural tribal forms of worship around the world (shamanism from Siva)

Siva to Isa to Ishtar to Dionysus commonality (Shaman Gypsy Nomad in East, Middle & West Cultures and religions)

Fusion Tribal Voodoo Art Colage Pop 2 => Visual Harmonics Technology => Metaphsycis

East => West => Middle

India Vedanta & Siva Tantra Shamanism => Descartes/Bacon scientific method => Greek Pythagorus Metaphysics, Philosophy & Renaissance sacred geometry

Nauture Gypsies philosophy, history and culture VS scientific age VS Metaphysics

5 ROOT RACE (strategy) TRAC from USA 2 INDIA

TRAC INDIA => Jiva5 => Metaphysical School => Jiva Gypsies 5 Root Races => USA

TRAC CHINA => Asia Pop => Jiva Gypsies => Chiva5 => Metaphysical School

TRAC AFRICA => USA House of Blues => US Jiva Gypsies => INDIA Jiva5 =>Metaphysics
=> TRAC TRIBAL

TRAC TRIBAL (Gypsy Shamanism India => Africa, Eygptian, Mayan, Native American, Malaysian, Indonesian, Polynesian) => Jiva Gypsies => USA => Jiva5

TRAC EUROPE => Hard Rock => Jiva Gypsies => Jiva5 => Metaphysical School => Diva5 (Visual Harmonics to Renaissance - Sacred Geometry of Chartes & Keith Kritchlow)

CONCLUSION

JIVA GYPSIES is the musical aspect of the JIVA vision (proposed through the Jiva5 Cafe & Shop in India and tied up with the metaphysical school) and is a concept to be done in the USA.

JIVA Gypsies proposes spreading Swami's mission of synthesis around his 5 human values through the world music from the 5 root races and the language of the heart that its sacred sounds transmit to transcends differences and unite races and people through the message of love and service as well as unity in diversity; much as did the Hard Rock Cafe and House of Blues. Jiva Gypsies is the natural sequence to this in the 5 raced USA, appealing to all via its ancient beats dressed in contemporary fusion form. By its connections to India, the ancient message of the Santa Dharma; that the 5 values act through our very life breath (the Jiva and the 5 Pranas), hopes to sublimally awaken a holisitc spiritual consciousness in the world

It proposes using a multi-dimensional, integrated and holistic approach via its music (and exposed via a Sai Youth Web) to help all youth of various races and cultures find their TRAC and understand the Sai Syntheis and Path through the medium of spiritualised, meaningful, fun entertainment leading to a consciousness of humanities common identity through advaitic metaphysics